Hume Vs. Kant Essays - Kantianism, Deontological Ethics,

Hume Vs. Kant Hume vs. Kant On the Nature of Morality From the origin of Western philosophical thought, there has been an interest in moral laws. As Hume points out in the Treatise, morality is a subject that interests us above all others (David Hume A Treatise of Human Nature'). Originally, thoughts of how to live were centered on the issue of having the most satisfying life, with virtue governing one's relations to others (J.B. Schneewind 'Modern Moral Philosophy'). However, the view that there is one way to live that is best for everyone and the view that morality is determined by God, came to be questioned, and it is this that led to the emergence of Modern moral philosophy. The moral debates continued to see good as merely that which gives happiness or pleasure. ?it was assumed that what we ought to do is always a function of what it would be good to bring about: action can only be right because it produces good (J.B. Schneewind 'Modern Moral Philosophy'). It was the breaking away from this idea that was perhaps the most important aspect of the works of both Immanuel Kant (1724-1804) and David Hume (1711-1776). Hume's moral theory arose out of his belief that reason alone can never cause action. Desire or feelings cause action. Because reason alone can never cause action, morality is rooted in our feelings. Virtue arises from acting on a desire to help others. Hume's moral theory is therefore a virtue-centered morality rather than the natural-law morality, which saw morality as coming from God. Kant's notion of morality arose from his notion of a moral law; a law applicable to all people at all times, that imposes absolute duties on us. According to Kant, you ought to act according to the maxim that is qualified for universal law giving; that is, you ought to act so that the maxim of your action may become a universal law (Immanuel Kant 'Lectures of Mr. Kant on the Metaphysics of Morals'). Kant, unlike Hume, saw it as possible to act on reason alone, and whether or not a person acted morally depended on whether he/she had acted on reason alone. The essential difference between Kant and Hume that affected their whole thinking on the matter of morality was each one's belief about the autonomy of the will. Kant saw the will as fully autonomous and therefore needing no external sources for motivation, thus making it possible to act out of reason alone. This view went completely against that put forward by Hume. Hume believed that reason is, and ought only to be, the slave of the passions. He argued that reason is used to discover the causes of pain or pleasure, but it is the prospect of pain or pleasure that causes action, not the reasoning alone, as that is entirely indifferent to us. This notion of always being motivated by pleasure or pain is very important, as it follows from this that when we act morally, it is a desire that makes us act and not reason. Since morals, therefore, have an influence on the actions and affections, if follows that they cannot be derived from reason, and that because reason alone, as we have already proved, can never have any such influence. Morals excite passions, and produce or prevent actions. Reason of itself is utterly impotent in this particular. The rules of morality, therefore, are not conclusions of our reason (David Hume 'A Treatise of Human Nature'). Kant saw it as essential that the will must not be the slave of the passions for moral actions to be possible. Kant differentiated two kinds of imperative statements: first, the hypothetical imperative, which has the general for If you want to achieve P then you should do X; and, second, the categorical imperative, of the form You should do X. Hypothetical imperatives are unproblematic. They are straightforward sentences that express mundane statements of fact. Categorical ones, on the other hand, are highly problematic. My own reaction to any categorical imperative is to ask, Why?. For instance, if a rabbi tells me You should refrain from eating pork, then that appears to me to be an incomplete statement. I immediately want to hear the missing half of the

The car planned by the company Essays

The car planned by the company Essays The car planned by the company Essay The car planned by the company Essay BMW production is committed to fulfilling premium demands related to product quality and to meeting deadlines. Some 70,000 employees in 23 locations ensure that every customer receives his or her tailor-made vehicle on time throughout the world. We do this with our Customer-oriented Sales and Production Process, or COSP for short. The principle behind COSP is that the car ordered by the customer defines the production process not the car planned by the company. In this way, the customer can make last-minute changes to the equipment and accessories theyve ordered shortly before the vehicle goes to assembly without delaying the date of delivery. The goal of BMW Group Production is to deliver the customers custom-tailored premium automobile or motorcycle by the agreed-upon deadline in our customary high quality. This claim requires us to continually develop our processes and structures further, and thus, to adapt regularly to new situations. (BMW Group, 2005) As a learning organization, the BMW Group must recognize changing demands at an early stage and orient itself rapidly and flexibly to new conditions. One example of this is our Customer-oriented sales and production process,(or KOVP as it is abbreviated in German), gives customers new dimensions of service: simple, online ordering processes at the dealers, immediate, binding order confirmation and delivery date, flexibility when changes are desired, information on order status, and on-time delivery. (BMW Group, 2005) One of KOVPs most remarkable features is its high flexibility for customers. Requests for chassis changes (including motor, color, and equipment) can be handled up until circa one week before assembly without affecting the agreed-upon delivery date. Today, up to 120,000 BMW change requests are realized per month. The tradition of quality at the BMW Group permeates all work processes of the worldwide production network. A comprehensive, multi-level quality management system ensures quality in all work processes as well as components and materials, and ultimately products. But above all, the BMW Group orients its quality management system to the needs of its customers. One foundation of Made by BMW Group is their employees. Customer-oriented thought and action abbreviated in German as KDH is part of corporation philosophy and anchors their goal of achieving perfect results in all manufacturing areas. The BMWs employees attitude to quality from the very beginning, continuing along the entire process chain, prevents mistakes and ensures continual improvement. To fulfill their customers desires as well as their demands on automobiles and motorcycles as rapidly and flexibly as possible, they continually develop and refine all processes, structures, and systems in our entire production network. Digital Manufacturing simulation technology for planning tomorrows factories has become a very important tool. The BMW group is using it intensively, for example, to design the new BMW plant in Leipzig. (BMW Group, 2005) The increasing significance of intelligent lightweight construction is causing a dramatic transformation in production technology. The BMW Groups technology centers are already developing manufacturing processes for die-cast magnesium automobile components. The centers are evaluating such components for their suitability in series production, as well as working on uses for metal foams. Early involvement in these fields enables rapid integration of new, innovative technologies in series processes. The BMW Group does not only gauge the plant of the future on its productivity and flexibility, however. It must just as equally reflect our responsibility for people and the environment. (BMW Group, 2005) The performance capability of the BMW Groups production network depends on the special commitment, identification, and know-how of its employees. In addition to future-oriented technologies and the most modern equipment, the employees are the central element in the manufacture of premium products. Systematic linking of internal and external partners as well as targeted knowledge transfer ensures both today and in the future that the customer will obtain his dream automobile by the agreed-upon delivery date and in the high quality expected of all made by BMW Group vehicles. The over 70,000 employees of the worldwide production network are united in their common enthusiasm for all of the concerns vehicles, their quest to achieve highest quality results in all working processes, and their will to make a significant contribution to the BMW Groups success now and in the future. Innovative forms of work are important factors for stimulating performance, creativity, and gratification in the workplace. The BMW Group uses over 300 successful work-schedule models. These enable the corporation to utilize its plants flexibly and react to customer as well as market demands and at the same time, to respond to the needs of its employees. (BMW Group, 2005) To improve efficient use of resources (material, energy, water) by products as well as during production, a precise balance between ecological and economical issues must be sought after. In addition to the BMW Groups recycling strategy with its core elements RDZ (German: Recycling und Demontagezentrum; English: Recycling and Disassembly Center), Design-for-Recycling, and Material Labeling, the BMW Group focuses primarily on the most efficient possible use of resources in intelligent systems. Water is the basis of all life. In production where almost one-third of all waste water accumulates they have succeeded in promoting exceptionally frugal use of water. This has been made possible by closed cooling cycles, closed-circulation water usage and waste water treatment equipment, and the use of future-oriented technologies such as powdered clear varnish as well. (BMW Group, 2005) To save energy, production uses sophisticated central routing technology, for example. This enables energy-using components to be turned on and off precisely when needed. In addition, the use of heat reclamation equipment, use of industrial waste heat, and cold generation in absorption equipment supports the development of circulation systems. This makes it possible to exploit primary energy to a high degree, ensuring an energy supply which is also environmentally friendly. (BMW Group, 2005) The BMW Group places great value on designing products which are optimized for recycling as well as separating and utilizing waste materials which accrue during production; care is taken, for example, only to transfer waste materials to recovery and cleanup partners who have passed the BMW Groups recovery audit. Our uppermost goal, however, is to not accrue waste materials in the first place. Each location has responsible employees who use a waste material information system to optimize processes and procedures. This system enables a precise overview of the flow of waste materials. This enables the continual development of further strategies for waste reduction and avoidance. (BMW Group, 2005) A sophisticated transportation logistics concept ensures optimum utilization of sea, rail and truck containers. The BMW Group also uses reusable packaging and cases to make transportation as environmentally-friendly as possible. Transport agents receive orders bundled according to volume and in most cases they are paid only for the volume transported. As a result they automatically have an incentive to organize transport services in a more efficient and environmentally-friendly manner and empty runs are avoided. Furthermore, all transport agents are bound by contract to use only trucks which comply with the latest European emissions standard. When it comes to overland transportation, the BMW Group tries to keep road haulage to a minimum and to use rail transportation where possible. Overall, more than half of all new vehicles left the plants by rail in 2007. Individual plants, such as Magna Steyr in Austria dispatch almost 90% of new vehicles to their destination by rail; in Dingolfing (Germany) and Rosslyn (South Africa) around 70% of all vehicles leave the plants by trucks. BMW plants in southern Germany receive materials from their German suppliers on logistics trains linked via five rail connections. (BMW Group, 2005) Up until now, new vehicles were protected from the elements and damage during transit by adhesive film, protective covers or wax. To establish whether this was absolutely necessary and determine the environmental impact, the BMW Group conducted an environmental performance evaluation. The study concluded that closed transport, as in covered freight cars, or open transport with subsequent cleaning of the vehicles is much better for the environment. Up to 80% of the CO2 emissions generated by application and disposal of surface protection can be prevented this way. In 2007, 72% of all vehicles were shipped without surface protection. This has dramatically reduced the use of solvents and chemicals. In the future, the BMW Group will manage with even less packaging and also further reduce the number of vehicles shipped with surface protection. (BMW Group, 2005) As far as the actual shipments are concerned, the BMW Group selects the method of transportation which produces the lowest emissions. Consequently, the shipment of goods via air freight is avoided wherever possible. Instead, the BMW Group prefers to use sea freight: In 2007, seaborne transportation made up 76. 8% of the total transportation capacity, while air freight accounted for just 0. 2%. (BMW Group, 2005) BMW recently reengineered its distribution process to reduce costs and improve response time for dealers and parts vendors. The company had used two private facilities for the distribution of new parts, motorcycles and core-parts returns. When new-parts sales began to expand, BMW sought a third-party logistics partner with the expertise and resources to manage domestic distribution of motorcycles and returns of core parts such as engines and alternators. The company chose Kuehne + Nagel, which leveraged its nationwide warehouse network to implement an efficient, cost-effective solution. (Kuehne + Nagel Contract Logistics, 2009) BMWs are distributed from two Kuehne + Nagel locations in New Jersey and California to cars, motorcycles and parts coming from Germany. Each facility inspects all the cargo for damage upon receipt. Kuehne + Nagel then store by model number, color and vehicle identification number, and ships 99 percent of all orders same-day to dealers nationwide. Access to BMWs electronic inventory system enables Kuehne + Nagel to check status of inbound shipments and report dealer deliveries. BMW core-part returns are managed by five Kuehne + Nagel multi-client facilities in Atlanta, Dallas, Chicago, Jersey City, N. J. , and Cerritos, California. Each facility processes inbound core-part shipments from dealers, and distributes returns to vendors in the U. S. and Germany. (Kuehne + Nagel Contract Logistics, 2009) For dealers, working with five centralized warehouses, instead of two, has reduced freight costs and expedited credit processing. Kuehne + Nagel maintain strict compliance with individual vendor regulations for parts and delivery. Kuehne + Nagel are now supporting record sales for BMW vehicles. Its resources and expertise in distribution have enabled BMW to: Achieve same-day turnaround on 99 percent of all orders; Reduce dealer freight costs for core-parts returns; Dedicate its private facilities to new-parts distribution; Better respond to seasonal peaks and new-product introductions (Kuehne + Nagel Contract Logistics, 2009) These resources are a big asset to BMW, says Basan, because they allow us to address issues more quickly and cost-effectively than if we were managing the jobs internally. (Fleischmann, 2006) Two automated storage and retrieval systems (AS/RS) act as a buffer to make the delayed assignment possible. One AS/RS holds 220 car bodies while the other holds 230. As vehicles exit the paint shop, they go into the AS/RS where they are held until the assembly line is ready for them. The combination of staging in the AS/RS and delayed assignment actually increases production flexibility. BMW can now alter the build sequence until nearly the last moment to accommodate any supply chain bottlenecks. (Modern Materials Handling Staff, 2004) Another important contributor to that flexibility is the highly automated parts warehouse known as the Sequence Center adjacent to the plant. This facility receives and temporarily stages parts coming from suppliers. When the parts are needed for production, they are kitted in a specific build order, and transported by pallet conveyor through a connecting tunnel to the plant. (Modern Materials Handling Staff, 2004)

Should the 'crimes' of the 'law-abiding majority' be criminalised more Essay

Should the 'crimes' of the 'law-abiding majority' be criminalised more frequently - Essay Example This means that the legal status of a behavior whether defined as a crime or not is in not in the content of the behavior itself, but lies in the social response to the behavior in question and the changes in the legal status of the behavior can be brought about by the transitions in the society. It should also be noted that the social response to crime including numerous explanations for crime are based not only on the nature of the act itself but also on the moral and social standing of the offender as related to that of the victim. Further, it is noted that in the absence of any ontological reality of crime, there are tests that are used in the construction of crime, one of which is the test of intention to commit the crime known as Mens rea (Hillyard 2005a, p.9). There is an area of criminal activity that occurs in the current society that involve crimes and unfair practices that are committed in the society and are usually committed by people who see themselves as law abiding an d who would readily reject the label of being criminals (Karstedt & Farrall 2007, p.7). They are known as the ‘law-abiding majority’ but they fail to understand that most people do not choose to abide by the law but are forced to abide by its provisions or are selective in their compliance with the law. It is important to note from the onset that though the behavior under discussion may be unscrupulous or unfair, it appears normal in the eyes of most offenders who try to justify it. The offences by the ‘law abiding majority’ are that the middle class commit the offences or ill practices but are also eager to blame the perpetrators when they find out that they are the victims of such behavior. Research has shown that the ‘law-abiding majority’ may bend more rules than what is in the public domain (Karstedt and Farrall 2006, p.1039). The crimes by the law abiding citizens though may be crimes of everyday life, they may not be regarded as antisoci al per se but could be termed as anti-civil as they show the absence of civility among the citizens who should show the opposite character (Green, Grove and Martin 2005, p. 233). Not all behaviors are usually considered as illegal in general but some are deemed morally dubious by both victims and the offenders and are not unusual or outstanding in nature but are mundane. Whether s.5 Public Order Act 1986 offences is more likely to be prosecuted than Health and Safety offences committed in the workplace Section 5 of the United Kingdom the Public Order Act 1986 was expounded in the recent case of Harvey v DPP [2011] All ER (D) 143 which gave the threshold of the offences under this provision. The case gave what should be used in the determination of the fact whether words used are abusive as interpreted against section 5 of the act and when evidence of their impact on an individual can be required by the court (Brown & Ellis 1994, pp.1-4). Under section 5 of the Public Order Act 1986, an offence can only be deemed so if it possesses two elements and include the fact that a person must have made use of intimidating, insulting or offensive words or behavior. Further, the behavior must have been disorderly or have displayed any writing, sign or a visible representation that will be

Personal and Organisational Development Report Essay

Personal and Organisational Development Report - Essay Example This way, understanding the link between my own attributes and required characteristics for employment will help me in being clear about my goals, responsibilities and challenges that can be possibly attached with the profession itself. Task One I am aware of how competitive the business environment is that obtaining a financial analyst position in successful firms will be incredibly challenging especially for those with fewer experiences or less idea on this profession’s tasks and responsibilities. As a means of preparing for employment, the use of a SMART career plan has allowed me to outline all my goals that I intend to successfully achieve over a period of time as I develop goals which are specific, measurable, achievable, realistic, and time framed. My very first concern is my resume and cover letter as employers first look through these regardless of how capable, knowledgeable, or experienced a candidate is; what matters first is to present an impressive resume that pro vides an overview of educational attainment and relevant job experience in an honest, concise, and professional manner. Since I only have limited work history and do not have actual employment experience even in a short duration, I intend to use the unconventional format for presenting my abilities and other attributes in a better structure. Moreover, asking feedback from other people may also allow for further improvements. Next goal is to attend at least four events every month to establish connections with other people who have more experience and knowledge. This can be achieved by attending programs and other training opportunities that can allow me to both meet individuals who intend to learn the best practices and skills for financial analysis and other finance-related tasks. Aside from making valuable connections, it is most likely that the necessary knowledge and skills are developed. For instance, I have learned about the Financial Analysis Specialist (FAS) Program that is an online designation program implemented for financial analysis professionals to improve their training and verify their knowledge for them to land a job within the industry. It has presented a number of objectives for trainees such as being able to understand and use financial analysis tools and practices, the basic principles of accounting, and online resources for a more efficient financial analysis, to name a few- addressing my needs to considerably improve on my own set of skills. Programs like these will also help my potential employers in knowing that I possess specialized knowledge with regards to this particular area, possibly much more than others who are competing to have this job. This will also suggest that I am serious about my professional goals and that I immediately take relevant action for my career development. Participating in exams such as the Series 7 or 63 may also equip me with terms and practices for accounting and other finance-related while reviewing for and taking the Chartered Financial Analyst (CFA) exam will considerably improve my technical knowledge. Additionally, several tests and modules gave me a clearer view on aligning my

Entrepreneurship Essay Example | Topics and Well Written Essays - 1750 words - 2

Entrepreneurship - Essay Example Top management is the one that usually determines the corporate culture. Corporate culture involves the main aims of an organization, the strategies that will be employed in meeting those aims and the way the stakeholders should behave while striving to achieve those aims. It takes the effort of the top management to maintain its culture, this is by interacting a lot and communicating effectively, especially to employees of what is expected of them, according to Auxillium West (2008). The culture can be either weak or strong. Weak is where the employees fail to identify with the values of the organization hence need to be pushed to carry out tasks from the organization’s point of view. While the converse is true for strong cultures as people tend to think as a group on the direction to be taken during decision making. Various methods have been employed in grouping cultural change. Some of them include Geert Hofstede who argues that organizational culture is influenced by natio nal and regional cultural groupings such as the different levels of power in the organization (power-distance orientation) , risk degree (uncertainty avoidance), individualism vs. collectivism, masculinity vs. femininity and time horizon (Long term vs. short term). Charles Handy groups include the power culture where power is centered in the hands of a few, role culture, task culture centered around the job to be done, person culture where the individual is deemed to be superior to the organization. Edgar Schein, a Massachusetts Institute of Technology Professor argues that culture is the most difficult thing to change in an organization, more than the products, services, leadership, and other characteristics of an organization. In Schein’s model, the physical attributes of the organization that are tangible such as the buildings, awards, employee dressing etc belong to the first level. The culture of the

Television Drama And Its Narrative Complexities Media Essay

Television Drama And Its Narrative Complexities Media Essay This assignment will examine the extent to which quality television drama is conceptually adventurous and narratively complex. By doing this, I shall use the television series, 24 as a case study. It will also demonstrate the relationship audience has with quality television and its complexities in its narratives. This assignment will endeavour to support all points and observations by appropriate scholarly research including work by John Peacocks Reading 24: TV against the clock and other various authors from the bibliography. The term quality television is very critical if it is used in an important perspective or within theoretical matters of television categories. It took on an added detailed implication when it was raised by television academics in the institute when they tried to clarify the defining features of broadcasts that gain quality characteristics. There is the theory that quality television is public television which is television broadcasts where the country is completely uncomfortable while it articulates itself, its past and unclear prospect (Bronk, Simons and Elsaesser, 1994: p.66). There is also the theory that a genre in drama is the quality television standard. Quality television has production expenditures, entertainment significances, performance and scripting which appeals mass audiences (Bronk, Simons and Elsaesser, 1994: p.66). The broadcast resilience is a subsequent importance of stylishness which presents and signifies the quality classification that frequently characterizes t he self-confident ability of those who produces certain broadcasts. Therefore, quality enhances a procedural requirement but furthermore establishes an institutional and independent requirement. If quality television can be defined by an educated medium, then television producers can comprehend what a good broadcast should be (Bronk, Simons and Elsaesser, 1994: p.66). Quality television materializes as a way of producing television programs. It originates from a reproduction on what has succeeded suitably from history and how it could be developed. Certain definition has suggestions and one of them is that quality television is pricey. Suitable money provision obtains modern equipment and pays for good performers, directors, writers and producers. It confirms high-quality production costs. This definition is institutional but it insinuates that quality television cannot be defined by a particular broadcast whether it is reliable by a specific genre. The broadcaster asserts that qual ity should have a general broadcasting procedure like an intense timetable (Bronk, Simons and Elsaesser, 1994: p.67). Quality television is created in a variety of various genres broadcasts which appeals to different kinds and sizes of audiences at different times of the day. Quality television is furthermore a television signal to high-tech advancement which allows an expensive artistic representation and improved sound model. The importance on high-tech advancements may highlight the quality television explanation by a specific broadcast production constitution and its delivery across reputable institutions that obtains both stability and creativity of producing television programmes but certain creativity may theoretically be attained through liberalization and a circumstance because a mass of channels is provided by a variety of independent producers to confirm a range of broadcasts while they focused themselves onto a mixture of audiences (Bronk, Simons and Elsaesser, 1994: p.6 7-p.68). By arguing and explaining peoples view of quality, it requires the exploration and argument of certain broadcasts or its tactics. If this is to be succeeded, involvement from television producers, audiences and reviewers would be essential. People will understand quality television needs an ongoing social discourse regarding the medium. Examples of Quality Television are series such as Seinfeld, Law and Order, The Sopranos, Ally McBeal, The X-Files, NYPD Blue and ER. These series are popular American Quality Television among other series that comes into view of audiences. In order for these series to come into the audiences view, exhilarating and pristine creation will be essential to appeal the audience and market publicity if there are cable stations and networks (Akass and McCabe, 2007: p.117). Local production will maintain to produce the predominant audiences globally. Nevertheless, the digital channels creation indicates that there will always be high-quality global broadcasting. Operating commercial channels finances confirms that broadcasting which appeals to high-class audience with sufficient expenditure influence will continuingly be the highly appealing choice for a consumer. That is why creative television series from the United States are developed. There are variations in program releases, new product ion approaches, financial redistribution centred around product impartiality and promotion diversity and the development to the fame of Home Box Office (HBO) which was centred around a totally distinct commercial representative than main broadcast networks such as ABC, NBC and CBS along with their associations and the nations respective stations which all marketed specific audiences to promoters (Akass and McCabe, 2007: p.3), (Lavery, Howard and Levinson, 2011: p.8). The broadcasting on HBO is not only restricted to high-end cable consumers but it also influences non-cable audiences. In the modern period, targeting specific niche audiences expendably and differently from creating a mass audience, HBO wanted elevated production benefits with excessive funds to endure costly shooting techniques and post-production editing but it associates itself with the modernist instead of popular, cinematic custom, classifying itself as an artistic style because it is at the high-end of parent com pany, Time-Warners range but its slogan is Its Not TV. Its HBO describes its quality sign and it defines the network period after 1996 (Nelson, 2007: p.180), (Akass and McCabe, 2007: p.3). This statement has included an analysis of the whole American commercial television structure. It has gained disparagements as it opposes the disrespectful movement of daily television. HBO was securely isolated from commercial television disruptions but nevertheless, HBO drama audiences are allowed to separate themselves from the television programming characteristic styles (Edgerton and Jones, 2008: p.25). All program networks are obliged by government ruling and associated agreements with partner stations and promoters to present a wide program facility that amasses the audience through a public and demographic variety classification (Edgerton and Jones, 2008: p.31). While HBO never used this model, other broadcasters have defended their company model that employs broadcasting to produce numero us customers to promoters as they see variations in media skills and culture. There are principles for quality television which alternates the stylistic self-reflexivity and liberal humanism to the ensemble cast, series fusion, complex character-based narratives and serialized construction (Peacock, 2007: p.15). It also involves debatable themes and is clear that quality television targets an organization with cinema as a better art quality characteristic to television as the quality genre developed. By the 1990s, quality television developed an important term settling with finances and aesthetics to become a genre within itself (Peacock, 2007: p.15). The cinematic filmic style may be the most important clear quality television feature. It has succeeded narrative complexity as the popular American television main characteristic by the late 1980s and early 1990s. Established quality television genre models have broadcasted their feature with evident recognizable cinematic filmic styl e which can be understood as a deliberate difference to the regular television broadcasting impassive style (Peacock, 2007: p.16). What quality television might be meant by conceptually adventurous is that television broadcasting is generally intense with adventure representations and the themes where people can relate to adventure. Television is always regarded as a writers medium and it establishes antagonism between an aesthetically traditional television principle as determined by dialogue and character as well as a more adventurous significance in style and narrative mode in cinema. Adventurous cable broadcasting and new markets have stimulated progression (Douglas, 2005: p.26). It has furthermore revolutionized television programming and presented new openings for writers. There are also rising audience division on specific cable networks which allowed niche broadcasting that would never be part of the three networks which limited casting is making adventurous and high quality shows such as Battlestar Galactica on the Sci-Fi channel, The Shield on FX and Dexter on Showtime. They generally run for an hour e ach week and keep the audience in suspense and guessing as to what would happen on the next episode. This strong timing, real-time importance and ticking clock all aided to tie the week-long inequality between episode programming and conceal the narrative combined in a series way (Peacock, 2007: p.20). Modern broadcasts targets audiences interests outside the limited timing television hour structure. They aim to appeal audiences that give themselves completely on their preference viewing. Quality television drama series are presented once a creative idea infiltrates the thoughtful industry activity. It is believed that drama has to be conceptually adventurous because without it, itll lack the quality expectations audience will be hoping for. There are other quality television characteristics which help the audience appreciation and action such as its scholarly consumption, fluent, specialized and perceptive speech, complex narrative construction and its rapid style (Akass and McCabe, 2007: p.26), (Richardson, 2010: p.22). People are carried between scenes and instances. This means more innovative concept and industrial talent are advanced. It also confirms the requirement the audience focuses (Akass and McCabe, 2007: p.27). This action complexity is regarded as another high quality television characteristic. It also puts the audience in the situation where they elevate when making a decisive conclusion. Every broadcast helps people explain and value it. Television series became more complex as it engages more actors and narratives which uses from one episode to few years to finish. From the year 2000 and onwards, American television drama has been creative and it has also been highly remarkable at the high-end of the series and its topic which lasts one hour long. This is assisted by the evident achievement of suggestive authorized cable models. American television drama episodes can cost over US$3 million respectively while these drama that lasts one hour long includes a variety of broadcasting styles and costs (Bonner, 2011: p.3), (Grant and Wood, 2004: p.127). American television drama is one example as to why it is conceptually adventurous and narratively complex because it is frequently invented by producers that has auteur recommendations who also employs 35mm film or its digital equivalent to attain a cinematic quality (Akass and McCabe, 2007: p.43). But before the year 2000, high-end American drama series costs was normally exploited by broadcast networks as the vital market share and profits diminished this drama genres excessive expenditure suggestion s. This broadcast drama was innovatively controlled by the safety first traditional content that institutions are afraid to acknowledge the marketable possibility of actual innovative investigation (Hoffmann-Riem, 1996: p.103). Broadcast drama was additionally restricted by overwhelming instant achievement anticipations. One purpose is to accumulate sufficient episodes to increase association and new back-end incomes if it produces the vital ratings by occasionally exaggerating efforts to extend its life and success. Network hesitancy remains putting many innovative restrictions on television drama production with certain reflections approaching deeply on program fees. For the last fifteen years, American prime-time dramas have deeply trusted complex tactics of episodic fiction to confirm the audiences constant venture in their narratives (Akass and McCabe, 2007: p.133). This is because it functions in a television view that is distinguished by the rising struggle between various me dia structures. For the last two decades, American television drama has been narratively complex which exploits the structured series probabilities. It highlights constant descriptive series upon limited episodic  plots (Akass and McCabe, 2007: p.26). Consequently, these series incline to accumulate complex narrative of background contexts and character relationships which is why they ask their audiences to participate. One genre which is crucially narratively complex is conspiracy dramas. American television drama narrative tactics are more understandable if people theorize them as conspiracy narratives because serials that features narratives of protagonists trying to reveal and end the evil operations of antagonists. These series intend on producing a  specific manner of television viewing where a functioned and alerted audience actions requires an inclination to involve the descriptive narrative theory and carefully listen to the elements by observing the conspiracy narrative rationalities. American television drama can be understood as a distribution to certain narrational mode and be reflected as a clear subdivision of  narratively complex programming (Vest, 2011: p.209). However, the narratively complex television series structure lets the narrative rationality of conspiracy to release its possible serial as it benefits flexible narrative paths basically because television series become lucrative the longer they stay on air. Series that utilizes certain  conspiratorial narrative structure also get additional complex characteristic of  conspiracy fictions. This presents a  significant difficulty which may justify the diverse audience responses to the conspiratorial series concluding episodes particularly for lengthy series. It directs people to the fundamental theories of series narration as an industrial structure which was always acquiring durable profit issues than in classical stylistic, credibility and consistency models. Conspiratorial television series help certain actions and user activity in online forums that is devoted to specific series debate in the modern era confirms this assertions rationality by welcoming their audiences to investigate their narrative complexities. It is clear that not every serial that endorses the conspiracy narrative rationalities trust the comparable elaborate tactics to help the audiences theory. Nevertheless, these series reveal the understanding that the narrative complexity suggestion is a main feature in the endeavour to initiate the audiences and cultivate their devotion to the series. The television programme, 24 is one example of quality television and conspiracy narrative program. It is one of the infrequent series to experience vital and commercial achievement from its launch as it is fascinating, sophisticated, creative and appealing (Peacock, 2007: p.13). However, the series argues the current quality television classifications through its persistent and creative aesthetics utilization and basic skills. 24 has successfully qualified as quality television by merging these recognized conspiracies with modern conceptual involvements. The series also uses and underlines both cinematic and videographic methods in its quality. 24s interest to cinematic quality is directly evident in all practical scenes. The show is shot on 35mm film and framed for 16:9 widescreen productions, media and structure which is nevertheless more generally linked with cinema than with the 4:3 quality part of American television (Peacock, 2007: p.16). 24 has showed cinematic filmic charact eristics which was frequently admired in long-established quality television. The series is also exclusive because the producers like the videographic quality. It has influenced audiences and critics with the video effect focus like digital clocks, on-screen text and the internet at the beginning. 24 may be the most videographic modern dramatic television broadcast because it not only uses videographic features as its mark quality and it still progresses to this point to contain its cinematic movements in a videographic context (Peacock, 2007: p.18). The series cinematic sequences are frequently dealt videographically whether it is split on screen or connected in real-time used filmic. The split-screens and ticking clocks on the series mainly understand the basic real-time vanity. The formulated numerous phone rings also appear to be more exciting. These are the main quality features that use videographic features as a characteristic show aesthetic in the clear narrative mass consti tution. The extremely strategized and clear cinematic shooting quality is important to 24s filmic influence but it is the videographic aesthetic indications that underline the broadcasts objectives. 24 actively markets videographic as a sign of its personal quality and complexities that benefits the cinematic. The serial videographic improvement transcends new quality television indications as these aesthetic metaphors can be understood more as an instinctive televised aesthetic style (Peacock, 2007: p.18). 24s narrative hour concurrence and televised broadcasting hour trusts an accurate series production as every final moments in an episode is understood to produce clearly to the starting moments of the next (Peacock, 2007: p.19). 24s high-quality stylistic construction clearly argues that the quality broadcast practicality highlights the seriality over the episodic. 24 also underlines this basic superiority constantly because the conflicted series narrative is widely motivated by its construction than within the complexity of its characters and story. The series title benefits the dramatic narrative construction which highlights the title (Peacock, 2007: p.19). The one day incidents are also told one hour at a time. This importance on time achieved mainly through aesthetic filmic and aural tactics as it is made to attain an enhanced concern and action-packed meaning. All narrative features of 24s individual seasons are always functioning with this ending comparing to the limited accessible diegetic offered to more quality dramas. For each season, 24 is always added by the friction between the sincere two or three influential storylines for the whole season that get settled and traded in each of several episodes. The hour-by-hour mysteries were also clocked so that many experiences concur and the seasons conclusion assured the ending (Peacock, 2007: p.20). This causes friction through the construction and the narrative also caused a friction through the consp iracy story. These are the conflicts that are operated and highlighted by the broadcasts aesthetics where the split-screens suggest numerous storylines, narrative gaps and ticking clocks. The shows frequent real-time evident assertions need an insistent meaning and an approaching ending. 24s basic quality innovations insisted the current quality characterizations and can be understood as an impulsive utilization and clearer analysis of twenty-first centurys television constructions (Peacock, 2007: p.21). The series appeals interest to the fanatical televised time limits and the obsession with these limits which are frequently focused. 24 can be categorized as conceptually adventurous because it uses the main action-adventure series quality features which combines common characteristics such as series consisting genres of action-adventure, spy, crime, detective and thriller (Peacock, 2007: p.164). All these genres identify an array of qualities which contain an inclination for substantial dramatic action and a narrative construction including eruption, pursuing and conflicts. Numerous joint storylines of 24 evidently explain that modern television drama narratives trust complexities which includes some plots and characters to keep their audiences appealing. The highly important series characteristic merges a clear construction with the real-time structure utilization (Evans, 2011: p.117). Program series operates in 24 as far as specific episodes distorting simultaneously. The narrative operates throughout a series of episodes until the season finale. This is linked with a complex narrative which can be discovered in the quality television discussion. 24s fourth season has convincing associations to complex narrative (Evans, 2011: p.119). Many narrative features linked in every episode is not determined. The primary Danger narrative is highly outstanding. It centred on the seasons antagonist, Habib Marwan and featured the defence secretary, James Heller being abducted, the atomic power plants destruction, the Air Force One terrorism and the Chinese mission assault which initiates its government to pursue vengeance on Jack Bauer (Evans, 2011: p.119). Furthermore, it featured Jacks relationship with Jamess daughter, Audrey, Erin Driscolls daughters suicide and the alienated romantic relationship between Michelle Dessler and Tony Almeida in Season 2. 24s audience also enjoyed obtaining the advantage to participate with specific complex and frequent stimulating narratives (Evans, 2011: p.119). The series is characterized by audiences from insignificant television broadcasts by its complex narrative construction especially with the way the narrative alters melodramatically. 24s skill to modify emphasis and introduce new narrative storylines is important to the audiences interest. By now I believe I have examined the extent to which quality television drama is conceptually adventurous and narratively complex by using the television series, 24 as an example. 24 have demonstrated the quality that fascinates the audience. It is clear that a lot of money was invested into the program to provide the best service to the audience. The adventurous style and complexities have certainly helped the weekly ratings because the innovation that was produced in the series has brought the audience into excitement which clearly defines what quality television is. I believe the term quality television is what the audience make of it as it is determined by what they think of a specific program. To achieve the audiences expectations, it is important to provide the best facilities such as cinematic technologies and networks that can help promote the program. Bonner, Frances. Personality Presenters: Televisions Intermediaries with Viewers. Farnham, Surrey: Ashgate, 2011. Print. Douglas, Pamela. Writing the TV Drama Series: How to Succeed as a Professional Writer in TV. Studio City, CA: Michael Wiese Productions, 2005. Print. Edgerton, Gary R., and Jeffrey P. Jones. The Essential HBO Reader. Lexington.: University of Kentucky, 2008. Print. Elsaesser, Thomas, Jan Simons, and Lucette Bronk. Writing for the Medium: Television in Transition. Amsterdam: Amsterdam UP, 1994. Print. Evans, Elizabeth. Transmedia Television: Audiences, New Media and Daily Life. New York: Routledge, 2011. Print. Grant, Peter S., and Chris Wood. Blockbusters and Trade Wars: Popular Culture in a Globalized World. Vancouver: Douglas McIntyre, 2004. Print. Hoffmann-Riem, Wolfgang. Regulating Media: The Licensing and Supervision of Broadcasting in Six Countries. New York: Guilford, 1996. Print. Lavery, David, Douglas L. Howard, and Paul Levinson. The Essential Sopranos Reader. Lexington: University of Kentucky, 2011. Print. McCabe, Janet, and Kim Akass. Quality TV: Contemporary American Television and beyond. London: I.B. Tauris, 2007. Print. Nelson, Robin. State of Play: Contemporary High-End TV Drama. Manchester: Manchester UP, 2007. Print. Nelson, Robin. TV Drama in Transition: Forms, Values, and Cultural Change. New York, NY: St. Martins, 1997. Print. Peacock, Steven. Reading 24: TV against the Clock. London: I. B. Tauris, 2007. Print. Richardson, Kay. Television Dramatic Dialogue: A Sociolinguistic Study. New York: Oxford UP, 2010. Print. Swanson, Dorothy Collins. The Story of Viewers for Quality Television: From Grassroots to Prime Time. Syracuse: Syracuse UP, 2000. Print. Taylor, T. Allan., and James Robert. Parish. Career Opportunities in Television and Cable. New York: Ferguson, 2007. Print. Vest, Jason P. The Wire, Deadwood, Homicide, and NYPD Blue: Violence Is Power. Santa Barbara: Praeger, 2011. Print.

St. Michael :: Essays Papers

St. Michael Michael is first introduced to mankind through the scriptures written in the Bible. In the book of Daniel, Michael is introduced as one of the "chief princes" of Heaven as well as the guardian of the people of Israel (Daniel 10:13). His name is translated to mean "Who is like unto God," and he is one of the seven archangels of Heaven who is mentioned in the Bible, in both the Old and New Testaments. According to Rudolf Steiner, the founder of Anthroposophy and author of the book, The Archangel Michael: His Mission and Ours, Michael was the cosmic being in charge of Intelligence, whereas Michael is associated with light in other circles. This association works itself into a theory that Steiner explains in his book in a chapter titled, Michael, Arthur, and the Grail. In this theory, he proposes that Michael and his hosts of angels that accompany him are all inhabitants of the sun, and that from there, Michael was the ruler of "cosmic intelligence" (Steiner 271), and therefore the provider of all of the thoughts that humans experienced. This intelligence came down upon them from the sun, which he supports with the acceptance that we think with our heads since that is where the intelligence reaches first. And in the time of Alexander and Aristotle when human beings were aware of thoughts - - that is to say, of the content of Intelligence within them -- they did not regard these thoughts as their own, self-made thought: they felt that the thoughts were revealed to them through the power of Michael, although in that pagan era this Michael Being was known by a different name (272). By approximately the 9th century A.D., however, it seemed that human beings were beginning to see their own personal intelligence so that Michael was no longer the bearer of this gift. Now intelligence came from the earth and its inhabitants rather than the sun. But Michael and his hosts have been working to regain his administration of this intelligence by moving "in and through the hearts of human beings (274)." Steiner says that in earlier times than these we live in, people strove for intelligence not by developing their minds, but by seeking out inspirations given to them by cosmic forces, and his example of this is King Arthur.

Falsifiable Scientific Theories Essay

This paper is about the comparison and contrast of two equally strong theories about the view of the universe and its entities’ strategic formation. The geocentrism and heliocentrism theories are to be examined in terms of their falsifiability, as both had been cause of conflict of scientific thought in the earlier times. In Karl Popper’s account, any theory in the science can only be proven as scientific if and only if it is falsifiable. The conflict of thought between the two major structures of planetary movements, geocentrism and heliocentrism, we take into account the points wherein each is deemed falsifiable. The geocentric theory, as developed by Ptolemy, was the worldview which says that the Earth I the center of the universe, where other planets and objects go around it. This theory was then supported by the seemingly cyclical revolution of the stars and the sun around the Earth, and concentrating on the perception of Earth to be unmoving and stationary. To further show that the Earth was still, some people tested the reaction of birds whenever they let go of a tree branch – the birds did not get thrown off into the sky. In the 5th century BC, Plato was able to develop a mythical explanation of the cosmic movement of the Sun and the stars: that the cosmos is the Spindle of Necessity where Sirens turned the three fates. This mythological explanation is a ground for the falsification of the theory since it suggested trivially unscientific explanations. Euxodus who worked with Plato derived a mathematical explanation of the planetary movements, basing on Plato’s principle that all planetary phenomena in the universe could be explained by uniform circular motion. Aristotle also deduced that all cosmic entities rotate around the Earth, and there were 56 concentric spheres that are attached to thee heavenly bodies. The moon is supposedly the innermost sphere which gets dark upon contamination with the Earth. This dark spot is late on deduced as the lunar eclipse. This notion of geocentrism which was then the leading theory of the structure of the universe proved it to be indeed fully scientific since it was able to create a model that made correct predictions of future observations. The parallax was described in the geocentric theory to result as either the Earth is stationary and so no effect exists, or the stars are so far away the effect was undetectable. The Ptolemaic system was scientific in the sense that it produced testable results and was modified over time in response to observations. It was also supported by the prevailing philosophies of the time. The support for this position was varied: from the basic fact that we don’t feel the earth rotate to the idea that if it did, the winds would be enormous because the air would stay fixed (it actually doesn’t, but they thought it would). With the addition of epicycles, it was possible to predict eclipses and the position of the planets to a fair accuracy. However, this theory was put into criticism and question in 1543 when Copernicus challenged it with his De revolutionibus orbium coelestium, which explains that the planets, including the earth, revolve around the Sun. The Sun is deemed to be the center of the universe. The heliocentric theory made better predictions of more kinds of observations, but most of these were not available until Galileo. Nevertheless, there was also strong scientific evidence against heliocentrism. Before the invention of the telescope, there was but one potential experiment that could demarcate between geocentrism and heliocentrism: that of the parallax of the stars. Parallax is the apparent displacement or difference of location or orientation of an object which is seen along two different lines of sight. It is measured by the angle inclination between those two. The experiment showed results which favored the geocentric model. Lack of parallax was a fully scientific falsification of heliocentrism. The heliocentric theory could not explain the parallax of the stars until Galileo was able to observe completely the moons of Jupiter and the complete phase of Venus. Obviously, these two scientific theories are deemed falsifiable in terms of Popper’s criteria. Each has its own way of falsifying the other in terms of scientific basis. The Quine-Duhem principle has been employed in thee observations: we can not test a scientific hypothesis in pure isolation because a relatively plausible explanation would require one or more background assumptions in testing its empirical truthfulness.

The Bostonians essays

The Bostonians essays The Bostonians by Henry James was a very interesting piece. James underlying tone for the spiritualism and mesmerism is clearly a picture of the time when the piece was written. I thought that is played an important influence in his writing. Ruth Hall by Fanny Fern is an unofficial biography of her own life as a women activist. One of the underlying issues that stands out from her novel is the way that she includes the lower-class women right along with the middle-class. This was not a common ideal shared by all women activists at this time. Both of these underlying issues in these books keep the reader interested it their works. During the nineteenth-century mesmerism and spiritualism were very prevalent in society. You can see James fascination with these forms of power and healing by his continual reference to Dr. Selah Tarrant, Verenas father. In The Bostonians Dr. Tarrant was introduced as a healer, almost as a freak. James does his best to attempt to portray Dr. Tarrant as an oddball, but continually brings him up throughout the novel. This shows James fascination with the aspect of spiritual healing and how powerful he believes it can be. It almost gives the reader the sense that the powerful and influential people of the time did not want to openly practice these beliefs, but did under the guise of their own homes or in some private forum. Another aspect of his fascination can be seen in how James portrays Dr. Tarrants daughter, Verena. She is almost given a mesmerizing power by James, to control the people around her. Verena does not use this power intentionally, but it just naturally comes out in her efforts for the women movement. She draws Olive Chancellor, her best friend, in with her mesmerizing power. So much so that when Basil appears in the novel and starts courting Verena, she becomes very protective. Basil too is hypnotized by Verena and her hidden powers. ...

buy custom Jazz Concert Report essay

buy custom Jazz Concert Report essay First Report I attended one of the most interesting concerts in my lifetime. This event was held at the Alvas Showroom on Sunday, 23rd November. This place was the most suitable location because of its ability to accommodate many people at once. I was already in the Alvas Showroom by 4:00 pm when the show began. The concert was graced by the Kevin ONeal Group featuring Michole Briana White. Kevin ONeal is my lecturer and other members of his group are Gary Matsumoto and Marvin Smitty Smith. ONeal was in charge of the contra bass, 5 string electric base, composition, vocal, and arrangements. More so, White took care of vocals while Matsumoto was in charge of the Hamburg Steinway piano. Lastly, Smith was on the drums. The order of performance in terms of songs and their composers was as follows. Piece Composer Our Man HigginsLee MorganOn a Clear Day.................................Frank SinatraDat Dere..........................Bobby TimmonsBody Soul...Johnny GreenMy Favorite Things...Richard RodgersLong As Youre Living.Tommy Turrentine/Julian PriesterGood Morning Heartache..Dan Fisher/Ervin Drake/Irene HiggenbothamBlame It On The Alcohol/You Go To My HeadFrank SinatraDayDreaming..Aretha FranklinYouve Got It Made...We Are in the CrowdLove For Sale..Cole Porter Kevin ONeal was the main performer of all these pieces. He is usually an impressive musician. The funny thing is that on that day he had lost his voice. The question that lingered on everyones mind was whether he would impress in this performance? The first piece on stage was Our Man Higgins, and I must admit that ONeal did his best to overcome the voice problem. The combination of contra bass, the 5 string electric bass, and smooth vocals from White brought about a perfect start to the concert. There was erratic shaking of bodies in the hall, as everyone has appreciated the opener. Piano by Matsumoto and drums by Smith added flavor to everything in the course of the performance. I was personally engrossed in the concert and found myself dancing. Other performances were made up of such pieces as On a Clear Day, Dat Dere, Body Soul, My Favorite Things, Long As Youre Living, Good Morning Heartache, Blame It On The Alcohol, DayDreaming, and Youve Got It Made. ONeal did his best to brin g out the best rendition. Everyone in the hall including me cheered at the performance. One unique thing that happened during the concert is that people could not stop cheering and dancing as Smiths drums combined perfectly with Matsumotos piano matched by the perfect vocal from White. The disappearance of the voice did not stop ONeal from delivering his best performance in the spare piece Love For Sale. I enjoyed my entire time at the concert and would be glad to attend more in the futurre. Second Report I had an unforgettable chance to attend a jazz concert at the Catalina Jazz Club. Specifically, I attended it at the Catalina Jazz Club located 6725, West Sunset Boulevard, Hollywood, California 90028. It is situated one block to the east of Highland Avenue and the entrance of McCadden. I was there before 7:00 pm when the doors were opened for dinner. I ate Chicken Marsala sold at $26.00 as the main course. My evening before the concert started with this delicious dinner. It is worth noting that Karin Allyson, a popular American jazz vocalist, was the one going to grace this anticipated event. The club was already full by 8:30 pm when the concert officially began. The lineup of the performances was given to everyone, and it emerged that Allyson was going to perform some of her popular hit songs including I Didnt Know About You, Azure-Te, Collage, Daydream, From Paris to Rio, Wild For You, Imagina: Songs of Brasil, Round Midnight, and Yuletide Hideaway (A Christmas Album). When she stepped on the stage together with the band for her first performance, there were welcoming cheers from everyone in the audience. The welcoming note to the song I Didnt Know About You was perfect and amazing. I could not wait for any other moment to dance, so I began immediately. Allysons vocals and style of living presentation was one unique thing that I had never come across before. The band supported her in everything during this presentation, and kept everyone in the dancing mood. Immediately after the first piece, Allyson switched to the next song Azure-Te, and her voice was incredible at th is. Her vocals brought more people to the dancefloor and everyone continued cheering and shouting joyfully at the admirable vocals and the entire rendition. The performance got better every minute as she introduced other popular hits such as Daydream one by one. The song From Paris to Rio was also outstanding in its own measure because it attracted more cheers and dancing among everyone in the club. The pieces Wild For You, Imagine: Songs of Brasil, and Round Midnight brought the concert to the peak, as the most unimaginable thing happened. The audience reached for the stage with the aim of greeting Allyson and appreciating her unique performance. The show stopped for a while to bring order into the club and avoid any injuries. With the festive season upon us, Allyson would finish her nights performance with the song Its Love, Its Christmas. It gave us the feeling of celebration and enhanced the festive mood among everyone. What a show for me! I will never forget this concert because of the immeasurable quality of Allysons performance and outstanding vocals. Buy custom Jazz Concert Report essay

Tales from Thousand and One Nights Essay Example | Topics and Well Written Essays - 1000 words

Tales from Thousand and One Nights - Essay Example e King Shahryar an important lesson meant to change his life – that all women are not the same, and the actions of one evil woman cannot be used to judge the virtue and morality of all women. The â€Å"Prologue† to the tales begins with King Shahryar firmly believing that all women are inherently deceptive, evil and immoral. The King’s solution to the misery his once beloved wife had caused him is to marry virgin girls and killing them after the first night. Scheherzade, the heroine of the Arabian Nights, vows to change his mind, and save her life as well as the life other girls of her land. Thus, this â€Å"Prologue† helps to establish the pivotal position of women in the entire series of events. A woman changed the King Shahryar’s life forever, and a woman will set it back to normal. The representation of women in the stories of Scheherzade is well planned and meant to achieve a certain purpose. The portrayal of women in Tales from the Thousand an d One Nights is not restricted to one definite category – they are depicted in characters that range from wise to foolish, from greedy to sacrificing and from highly virtuous to deeply immoral. This arrayed depiction serves to highlight the fact that all women are not alike, and it is fallacious for anyone to form rigid judgments about the character of all women. The order of the stories is significant in the representation of women. In the first few stories, women are depicted as evil and cunning. For instance, in â€Å"The Fisherman and the Jinee†, the destruction of the King of Black Isles is brought about by his wife. She is portrayed as an enchantress who not only has an adulterous affair with an Indian, but also uses her magic powers to perish her husband’s city, converting him into half stone. This character is also shown as the unnatural woman – a magician who defames the true essence of womanhood. A woman that does not love her husband, and fails to perform her duties as wife, thus, is represented as

Human Biology Essay Example | Topics and Well Written Essays - 1500 words

Human Biology - Essay Example Fixation therefore preserves protoplasm, prevents autolytic changes and bacterial growth (Pawley, 2006, p. 370). After this, tissue sample should undergo dehydration, clearing and embedding. These processes ensure tissue sample is dehydrated or cleared from fixated agents and solidified to provide strong support to tissue blocks to make cutting in thin sections possible (Pawley, 2006, p.370). In bright field light microscopy staining for routine histological examination of tissue sections enhances natural contrast making tissues or cells more visible. Haematoxylin reacts with basophilic components of cells producing bluish tint to dark blue stain, Eosin stains pinkish colour to pink of acidophilic components of cells (Bancroft and Gamble, 2008, p.126). This is a cardiac muscle tissue. Its fibers are joined by intercalated discs, thick plasma membranes, shown as horizontal lines in the picture (DuPree and DuPree, 2007, p.53). The single central nucleus is also visible. This is a central nervous system, particularly a spinal cord formed by nervous tissue. Neurons and neuroglia are remarkable in this image showing the interconnecting cells and their supports (Chiras, 2011, p.78). This is a neuron which contains nucleus in its cell body that is responsible for synthesizing proteins and membranes while the axon conducts electrical impulse while the dendrites collect information (Hollenbeck and Bamburg, 2003). Satellite cells are situated in dorsal root ganglia somewhere in either side of the spinal cord and they enclosed cell bodies containing sensory neurons that are found inside the ganglia (Tiidus, 2008, p.77). Ordinary staining technique could not enhance visibility of the collagen fibres of hyaline cartilage (Amitrano and Tortora, 2012, p.65). Protoplasm and nuclei under intranuclear network are found in this specimen. Giemsa method of